News of the events at Skvoreshniki spreads through society surprisingly rapidly. The main participants seclude themselves, with the exception of Pyotr Stepanovich who actively insinuates himself into the social life of the town. After eight days, he calls on Stavrogin and the true nature of their relations begins to become apparent. There was not, as some suspect, an explicit understanding between them. Rather Pyotr Stepanovich is trying to involve Stavrogin in some radical political plans of his own, and is avidly seeking to be of use to him. Stavrogin, while he seems to accept Pyotr Stepanovich acting on his behalf, is largely unresponsive to these overtures and continues to pursue his own agenda.
That night Stavrogin leaves Skvoreshniki in secret and makes his way on foot to Fillipov's house, where Shatov lives. The primary object of his visit is to consult his friend Kirillov, who also lives at the house. Stavrogin has received an extraordinarily insulting letter from Artemy Gaganov, the son of a respected landowner—Pavel Gaganov—whose nose he pulled as a joke some years earlier, and has been left with no choice but to challenge him to a duel. He asks Kirillov to be his second and to make the arrangements. They then discuss philosophical issues arising out of Kirillov's firm intention to commit suicide in the near future. Stavrogin proceeds to Shatov, and once again the background to the events at Skvoreshniki begins to reveal itself. Shatov had guessed the secret behind Stavrogin's connection to Marya (they are in fact married) and had struck him out of anger at his "fall".
Skvoreshniki ÀúÅÿ¡ ÀÖ¾ú´ø »ç°ÇÀÇ ´º½º´Â ³î¶ó¿ï Á¤µµ·Î ºü¸£°Ô »çȸ·Î ÆÛÁ®³ª°¬´Ù. ÁÖ¿ä Âü¿©ÀÚµé(»ç°ÇÀÇ)Àº ±× ¼Òµµ½ÃÀÇ »çȸ»ýÈ° ¼ÓÀ¸·Î Àû±ØÀûÀ¸·Î ħÅõÇÏ°í ÀÖ´Â Pyotr Stepanovich¸¦ Á¦¿ÜÇÏ°í ÁÖ¿ä Âü¿©ÀÚµéÀº ½º½º·Î¸¦ »çȸ·ÎºÎÅÍ °Ý¸®ÇÑ´Ù. 8ÀÏ ÈÄ¿¡ Pyotr´Â StavroginÀ» ¹æ¹®ÇÏ°í ±×µé °ü°èÀÇ ÂüµÈ º»ÁúÀÌ ºÐ¸íÇØÁö±â ½ÃÀÛÇÑ´Ù. ÀϺΠ»ç¶÷µéÀÌ »ý°¢ÇϵíÀÌ ±×µé »çÀÌ¿¡´Â ¸í¹éÇÑ °ø°¨´ë(understanding)´Â ¾ø¾ú´Ù. ¿ÀÈ÷·Á Pyotr Stepanovich´Â ±× ÀÚ½ÅÀÌ ¸¸µç ±ÞÁøÀû Á¤Ä¡Àû °èȹ¿¡ StavroginÀ» ²ø¾î µéÀÌ·Á°í ³ë·ÂÇÏ°í ÀÖ°í Stavrogin¿¡°Ô À¯¿ëÇÑ Á¸Àç°¡ µÇ´Â °ÍÀ» Ž¿å½º·´°Ô Ãß±¸ÇÏ°í ÀÖ´Ù. StavroginÀº ÀÚ½ÅÀ» ´ë½ÅÇؼ È°µ¿ÇÏ°í ÀÖ´Â Pyotr Stepanovich¸¦ ¿ëÀÎÇϸ鼵µ ÀÌ·± Á¤Ä¡Àû Á¦ÀÇ¿¡ ´ëü·Î ¹ÝÀÀÀÌ ¾ø°í ÀڽŸ¸ÀÇ ÀÏÁ¤(agenda:ÀÇÁ¦)À» °è¼Ó Ãß±¸ÇÑ´Ù.
±×³¯ ¹ã StavroginÀº Skvoreshniki ÀúÅÃÀ» ¸ô·¡ ¶°³ª¼ Shatov°¡ »ì°í ÀÖ´Â FillipovÀÇ ÁýÀ¸·Î °É¾î¼ °£´Ù. ±×ÀÇ ¹æ¹®ÀÇ ÀÏÂ÷ ¸ñÀûÀº ¶ÇÇÑ ±× Áý¿¡ »ì°í ÀÖ´Â ±×ÀÇ Ä£±¸ Kirillov¿Í ÇùÀÇÇÏ´Â °ÍÀÌ´Ù. StavroginÀº ¼ö³â Àü¿¡ ³î¸®±â À§ÇØ ±×°¡ ÄÚ¸¦ Àâ¾Æ´ç°å´ø ¸í¸Á ÀÖ´Â ÁöÁÖ Pavel GaganovÀÇ ¾Æµé Artemy Gaganov·ÎºÎÅÍ ´ë´ÜÈ÷ ¸ð¿åÀûÀÎ ÆíÁö¸¦ ¹Þ¾ÒÀ¸¸ç ±×·¡¼ ±×¿Í °áÅõÇÏ´Â °Í ¿Ü¿¡´Â ´Ù¸¥ ¼±ÅÃÀÌ ¾ø°Ô µÇ¾ú´Ù. ±×´Â Kirillov¿¡°Ô °áÅõÀÇ ÀÔȸÀÚ(second)°¡ µÇ¾î¼ Áغñ¸¦(arrangement:Á¤µ·, ÇùÁ¤, Áغñ) ÇØ´Þ¶ó°í ºÎŹÇÑ´Ù. ±×·¯°í ³ª¼ ±×µéÀº °¡±î¿î Àå·¡¿¡ Kirillov°¡ ÀúÁö¸¦ È®½ÇÇÑ ÀÚ»ì Àǵµ¿¡¼ »ý±â´Â öÇÐÀû ¹®Á¦¸¦ Åä·ÐÇÑ´Ù. StavroginÀº ShatovÂÊÀ¸·Î ÇâÇÏ°í ±×·¡¼ ´Ù½Ã ÇÑ ¹ø Skvoreshniki ÀúÅÿ¡¼ ÀÖ¾ú´ø »ç°ÇÀÇ ¹è°æÀÌ µå·¯³ª±â ½ÃÀÛÇÑ´Ù. Shatov´Â StavroginÀÇ Marya¿ÍÀÇ °ü·Ã(»ç½ÇÀº ±×µéÀº °áÈ¥ÇÑ »óÅÂÀÌ´Ù) À̸鿡 ÀÖ´Â ºñ¹ÐÀ» ÃßÃøÇß¾ú°í ±×·¡¼ StavroginÀÇ 'Àü¶ô'¿¡ ´ëÇÑ ºÐ³ë¿¡¼ ±×¸¦ °¥°å´ø °ÍÀÌ´Ù.
* Çؼ³
Pyotor Verkhovensky´Â Ä¡¸íÀûÀÎ ¸ù»ó°¡ÀÌ´Ù. ±×°¡ Á¤¼ÀûÀ¸·Î ¿¬°áµÇ´Â Àι°Àº StavroginÀÌ À¯ÀÏÇÏÁö¸¸ À̰͵µ ÀÌ ByronÀûÀÎ (ºñÀåÇϸ鼵µ ³¶¸¸ÀûÀÎ) Àι°ÀÌ Çõ¸íÀ» ¼±µÎ ÁöÈÖÇÏ´Â µ¥¿¡ À¯¿ëÇÏ´Ù°í °£ÁÖÇϱ⠶§¹®ÀÌ´Ù. Verkhovensky´Â ±×°¡ ÀÌ ÀÛÀº µµ½Ã¿¡¼ Àº¹ÐÇÏ°Ô ÃßÁøÇÏ°í ÀÖ´Â »ìÀÎÀûÀÎ Æı«ÇàÀ§´Â ¶§°¡ µÇ¸é ·¯½Ã¾Æ Àüü¿¡ ÆÄ±ÞµÇ¾î ±¹°¡ üÁ¦ÀÇ ÀüüÀûÀÎ Àüº¹À¸·Î À̲ø °ÍÀ̶ó°í È®½ÅÇÏ°í ÀÖ´Ù. ±×°¡ Çõ¸í°¡µé°úÀÇ È¸ÀÇ¿¡¼ ¼³¸íÇÏ´Â °Íó·³ ÀÌ·¯ÇÑ Àüº¹È°µ¿ÀÌ ¼ö¹é¸¸ ¸íÀÇ ¸ñ¼ûÀ» Èñ»ýÇÏ°Ô µÇ´õ¶óµµ ±×°ÍÀº ±×·² ¸¸ÇÑ °¡Ä¡°¡ ÀÖ´Â °ÍÀÌ´Ù:
¡®1¾ï °³ÀÇ ´ë°¡¸®¸¦À̶ó°í ±×µéÀÌ °íÇÔÀ» Áö¸¥´Ù¡¦±×·¯³ª ¿Ö µÎ·Á¿öÇϳª? ¼ö¹é ³â°£ÀÇ µ¶Àç°¡ 1¾ïÀÌ ¾Æ´Ï¶ó 5¾ïÀÇ ´ë°¡¸®¸¦ Áý¾î »ïÅ°´Âµ¥? ³ª´Â ÇൿÀº ´Ù¼Ò °ÅÄ¥°Ô ÇÏ¸é¼ ÀÚÀ¯·Ó°Ô ¿õº¯Á¶·Î Áö²¬ÀÌ´Â °ÍÀ» ÃæºÐÈ÷ Âù¼ºÇÑ´Ù¡¦¡¯
±× ¡®Çൿ¡¯Àº Verkhovensky¸¦ Á¦¿ÜÇÑ ¸ðµç »ç¶÷¿¡°Ô ¡®´Ù¼Ò °ÅÄ¥°Ô¡¯ ÇÑ´Ù´Â °ÍÀÌ ÆǸíµÈ´Ù. ´Ù¸¥ »ç¶÷µéÀ» Á¶Á¾ÇÏ°í, ±× ÀÚ½ÅÀÌ ³ë¿¹Ã³·³ ¾ô¸ÅÀÌ¾î¼ ¹þ¾î³ªÁö ¸øÇÏ´Â °ÅÁþ¸»¿¡ µû¶ó, ŸÀεéÀ» Çൿ¿¡ ¶Ù¾îµé°Ô ÇÒ ¼ö ÀÖ´Â ±×ÀÇ ´É·ÂÀº ¼Ò¸§ ³¢Ä¡´Â °ÍÀ̾ú´Ù.
VerkhovenskyÀÇ ¿µÇâ±Ç ¾È¿¡ ÀÖ´Â ÀÒ¾î¹ö¸° ¿µÈ¥ Áß¿¡´Â Alexei Kirillov°¡ ÀÖÀ¸¸ç, ±×´Â Çõ¸í ¸ñÀûÀ» À§ÇØ ÀÚ»ìÀ» Çϱâ·Î µ¿ÀÇÇß¾ú´Ù. ±×·¯³ª ±×°¡ ½º½º·Î ¸ñ¼ûÀ» ²÷±â·Î ÀÚ¿øÇÏ´Â ÀÌÀ¯´Â Verkhovensky¿¡ ´ëÇÑ ¹ÏÀ½º¸´Ù´Â ±× ÀÚ½ÅÀÇ Á¤½ÅÁúȯ°ú ´õ ¸¹Àº °ü·ÃÀÌ ÀÖ´Ù.
ÇÑ´«¿¡ º¸´Â
º£½ºÆ® ±â»ç
- 1 µåµð¾î À±¼®¿ÀÇ ïáô÷°¡ µå·¯³µ´Ù!
- 2 "Çѱ¹ ÀǷẸÇèÀÇ »êÆÄ" ±èÁ¾´ë îñ °Çº¸ ÀÌ»çÀå, ÀÇ·á´ë¶õ¿¡ ù ÀÔÀåÇ¥¸í!
- 3 ¹ÚÁ¤Èñ¿Í À±¼®¿ÀÇ °¡Àå Å« Â÷ÀÌ 13°³!
- 4 "ÀڽĿ¡°Ôµµ ÀÌ·¸°Ô´Â ÇÏÁö ¾Ê´Â´Ù"
- 5 ±×·¡µµ ´ëÅë·ÉÀÇ ºÎÀÎÀÌ°í Àå¸ðÀÌ´Ù
- 6 ¹Ú»óÇÐ ÃÖ°í! ¿À·§¸¸¿¡ ½Ã¿øÇÏ´Ù.
- 7 À±¼®¿-Çѵ¿ÈÆ È¸´ã ¾È ÁÁ°Ô ³¡³ µí!
- 8 °°Àº ÀÏÀ» 30³â ¹Ýº¹Çϸ顦
- 9 ȱ±è¿¡ ³½ ÀÇ°ß ±¤°í
- 10 ¼º±ÞÇÑ ÀÚ°¡ 'ÃÖÈÄ'¸¦ ¸ÕÀú ¸»ÇÑ´Ù