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FREEDOM ±³¾ç ¿µ¾î (197): 'Devils' by Dostoevsky-10 The much vaunted literary matinée and ball takes place the next day. Most of the town has subscribed and all the influential people are present for the reading, with the exception of the Stavrogins. Julia Mikhaylovna, who has somehow managed to reconcile Andrey Antonovich, is at the summit of her ambition. But things go wrong from the beginning. Pyotr Stepanovich's associates Lyamshin and Liputin take advantage of their role as stewards to alter proceedings in a provocative way, and allow a lot of low types in without paying. The reading starts with the unscheduled appearance on stage of a hopelessly drunk Captain Lebyadkin, apparently for the purpose of reading some of his poetry. Realizing the Captain is too drunk, Liputin takes it upon himself to read the poem, which is a witless and insulting piece about the hard lot of governesses. He is quickly followed by the literary genius Karmazinov who is reading a farewell to his public entitled "Merci". For over an hour the great writer plods through an aimless stream of self-absorbed fantasy, sending the audience into a state of complete stupefaction. The torture only comes to an end when an exhausted listener inadvertently cries out "Lord, what rubbish!" and Karmazinov, after exchanging insults with the audience, finally closes with an ironic "Merci, merci, merci." In this hostile atmosphere Stepan Trofimovich takes the stage. He plunges headlong into a passionate exhortation of his own aesthetic ideals, becoming increasingly shrill as he reacts to the derision emanating from the audience. He ends by cursing them and storming off.

ÀÚ¶ûÀ» ¸¹ÀÌ ÇÑ ¹®ÇÐÈïÇà(matinee: ³· ÈïÇà)°ú ¹«µµÈ¸´Â ´ÙÀ½³¯¿¡ °³ÃֵȴÙ. ´ëºÎºÐÀÇ ½Ã¹ÎµéÀÌ Âü°¡½Åû(subscribe)À» ÇÏ¿´°í Stavrogin °¡Á·À» Á¦¿ÜÇÏ°í ¸ðµç ¿µÇâ·Â ÀÖ´Â »ç¶÷µéÀÌ ãÌ ³¶µ¶È¸¿¡ Âü¼®ÇÏ¿´´Ù. ¾î¶»°ÔµçÁö Çؼ­ Andrey Antonovich¿Í È­Çظ¦ ÇÏ°Ô µÈ Julia Mikhaylovna´Â ±×³à ¾ß¸ÁÀÇ ÀýÁ¤¿¡ ¿Í ÀÖ´Ù. ±×·¯³ª ÀÏÀÌ Ã³À½ºÎÅÍ ºø³ª°¡±â ½ÃÀÛÇÑ´Ù. Pyotr StepanovichÀÇ ÆаŸ®µé(associate)ÀÎ Lyamshin°ú LiputinÀº ±×µéÀÇ ¾È³»¿øÀÇ ¿ªÀ» ÀÌ¿ëÇÏ¿© È­¸¦ ³ª°Ô ÇÏ´Â (provocative:µµ¹ßÀûÀÎ, ¾àÀ» ¿Ã¸®´Â) ¸ð½ÀÀ¸·Î Çà»ç ÁøÇàÀ» º¯°æ½ÃÅ°°í ±×·¡¼­ ÀÔÀå·áµµ ¹ÞÁö ¾Ê°í ÀúÁú Àΰ£µé(types)À» ÀÔÀå½ÃŲ´Ù. ³¶µ¶Àº ¾û¸ÁÀ¸·Î ¼ú¿¡ ÃëÇÑ Lebyadkin ´ëÀ§°¡ ºÐ¸íÈ÷ ½ºÄÉÁÙ¿¡µµ ¾ø´Â í»íÂãÌ(ÀÚÀÛ½Ã) ÀϺθ¦ ³¶µ¶ÇÒ ¸ñÀûÀ¸·Î ¹«´ë À§¿¡ Ã⿬ÇÔÀ¸·Î¼­ ½ÃÀÛÇÑ´Ù. ´ëÀ§°¡ ¼ú¿¡ ³Ê¹« ÃëÇØ ÀÖ´Ù´Â °ÍÀ» ¾Ë¾Ææ LiputinÀº ãÌ ³¶µ¶À» ÀÚ½ÅÀÌ ¶°¸ÃÁö¸¸ ±× ãÌ´Â ¿©ÀÚ °¡Á¤±³»çµéÀÇ °í´ÞÇ ¿î¸í¿¡ °üÇÑ ¸ÛûÇÏ(witless) ¸ð¿åÀûÀÎ ÀÛÇ°ÀÌ´Ù. LiputinÀ» µÚµû¶ó¼­ ¹®ÇÐÀû õÀç Karmazinov°¡ À绡¸® ³ªÅ¸³ª¼­ 'Merci'(°¨»çÇÕ´Ï´Ù)¶ó´Â Á¦¸ñÀÇ °íº°»ç¸¦ °üÁߵ鿡°Ô Àоî ÁÖ°í ÀÖ´Ù. ÇÑ ½Ã°£ ÀÌ»óµ¿¾È ±× À§´ëÇÑ ÀÛ°¡´Â Àڱ⠵µÃëÀû ȯ»óÀÇ ¸ñÇ¥ ¾ø´Â È帧 ¼Ó¿¡ Å͹÷Å͹÷ °È°í ´Ù´Ï¸ç °üÁßµéÀ» ÀǽÄÀÇ ¿ÏÀüÇÑ ¸¶ºñ »óÅ ¼ÓÀ¸·Î º¸³½´Ù. ±× °í¹®Àº ÇÑ ±âÁø¸ÆÁøÇÑ Ã»ÃëÀÚ°¡ ºÎÁÖÀÇ·Î(inadvertently:°íÀÇ°¡ ¾Æ´Ï°Ô, ½Ç¼ö·Î) ¡°¿À¿À, ±²ÀåÇÑ ¾²·¹±â¾ß!¡±¶ó°í ¼Ò¸®¸¦ Áö¸£°í Karmazinov°¡ °üÁßµé°ú ¸ð¿åÀûÀÎ ¸»À» ÁÖ°í¹ÞÀº ÈÄ¿¡ ¸¶Ä§³» ³Ã¼ÒÀûÀÎ "Merci, merci, merci."·Î¼­ ³¡³¾ ¶§¿¡ ³¡³¯ »ÓÀÌ´Ù. ÀÌ·± Àû´ëÀûÀÎ ºÐÀ§±â ¼Ó¿¡ Stepan Trofimovich°¡ ¹«´ë¸¦ Â÷ÁöÇÑ´Ù. ±×´Â ±×ÀÇ ¹ÌÇÐÀû ÀÌ»ó¿¡ ´ëÇÑ ¿­Á¤Àû ±Ç°í ¼ÓÀ¸·Î ½ð»ì°°ÀÌ ¶Ù¾îµé°í (¾Æ¸§´Ù¿î ÀÌ»óÀ» ¿­·ÄÈ÷ È£¼ÒÇÑ´Ù), ±×°¡ °üÁßÀ¸·ÎºÎÅÍ ¹ß»êµÇ¾î ³ª¿À´Â Á¶¼Ò¿¡ ¹ÝÀÀÇÒ ¶§ ±×´Â Á¡Á¡ ´õ ³¯Ä«·Ó°Ô ºñ¸íÀ» Áö¸¥´Ù. ±×´Â °üÁߵ鿡°Ô ¿å¼³À» ÆÛºÎÀ¸¸ç ³¡À» ³»°í ºÐ³ë¿¡ Â÷¼­ ¶°³ª°£´Ù.

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»õ·Î ºÎÀÓÇÑ ÁÖÁö»çÀÇ ºÎÀÎÀÎ Julia von Lembke´Â ¾ß¸Á¿¡ »ç·ÎÀâÇô ÀÖ´Ù. ±×³à´Â ¾î¸®¼®°Ôµµ ±×¸®°í ³¶¸¸ÀûÀ¸·Î ±×³àÀÇ ÁöÇý¿Í Ä£Àý¿¡ ÀÇÇؼ­ ±× Áö¿ªÀÇ ¸ðµç ±ÞÁøÁÖÀÇÀÚµéÀ» Á¤º¹ÇÒ ²ÞÀ» ²Û´Ù. ±×³à´Â ±×³àÀÇ ÇýÅðú ºñÈ£¸¦ ¹Þ´Â ±ÞÁøÁÖÀÇÀÚµé·ÎºÎÅÍ Á¸°æ°ú »ç¶ûÀ» ¹ÞÀ» °ÍÀ̶ó°í »ý°¢ÇÑ´Ù. ±×µéÀÌ ±×³à¸¦ ¼þ¹èÇÒ °ÍÀ̶ó°íµµ »ý°¢ÇÑ´Ù. ¡°±×³à´Â ÇູÀ» ÁÖ°í È­ÇØ°¡ ºÒ°¡´ÉÇÑ »ç¶÷µé¿¡°Ô È­Çظ¦ ½ÃÅ°´Â ²ÞÀ» ²Ù°í ¶Ç ¼þ¹è¸¦ ¹Þ±â À§Çؼ­ ¸ðµç »ç¶÷À» ´Ü°á½Ãų ²ÞÀ» ²Ù¾ú´Ù.¡±

±×·¯³ª Julia von Lembke´Â Á¤Ã¼¸¦ ¼û±â°í Á¢±ÙÇÑ Peter Stepanovich¿Í ±×ÀÇ Á¶Á÷¿¡°Ô À̿븸 ´çÇÑ´Ù. Peter Stepanovich´Â von Lembke ºÎÀÎÀÌ µµ½ÃÀÇ È­ÆòÀ» À§ÇØ Àü·ÂÀ» °æÁÖÇÏ¿© ÃßÁøÇÏ´Â ¹®È­ÃàÁ¦¸¦ »ìÀΰú ¹æÈ­¿Í ³­µ¿ÀÇ ÆĸêÀû µå¶ó¸¶·Î ¸¸µé¾î ¹ö¸°´Ù. Áö»çºÎÀÎ Julia von LembkeÀÇ ¼±ÇÑ Àǵµ´Â ºñÂüÇÑ Àç¾ÓÀ¸·Î ³¡³ª´Â °ÍÀÌ´Ù. ¾Ç·É¿¡°Ô´Â à¼ëò(¼±ÀÇ)µµ ¾ÇÇàÀÇ ¼ÒÀçÀÏ »ÓÀÌ´Ù.



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