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FREEDOM ±³¾ç¿µ¾î (152): Hamlet-1/¼ÎÀͽºÇǾîÀÇ Ð¼(±Ø) Áß¿¡¼­ °¡Àå ¸¹ÀÌ ÀÐÈ÷°í °ø¿¬µÇ°í ³íÀǵǴ ÀÛǰ. Plot Analysis

In telling the story of a fatally indecisive character¡¯s inability to choose the proper course to avenge his father¡¯s death, ¡°Hamlet¡± explores questions of fate versus free will, whether it is better to act decisively or let nature take its course, and ultimately if anything we do in our time on earth makes any difference. Once he learns his uncle has killed his father, Hamlet feels duty-bound to take decisive action, but he has so many doubts about his situation and even about his own feelings that he cannot decide what action to take.

The conflict that drives the plot of ¡°Hamlet¡± is almost entirely internal: Hamlet wrestles with his own doubt and uncertainty in search of something he believes strongly enough to act on. The play¡¯s events are side-effects of this internal struggle. Hamlet¡¯s attempts to gather more evidence of Claudius¡¯s guilt alert Claudius to Hamlet¡¯s suspicions, and as Hamlet¡¯s internal struggle deepens, he begins to act impulsively out of frustration, eventually murdering Polonius by mistake. The conflict of Hamlet is never resolved: Hamlet cannot finally decide what to believe or what action to take. This lack of resolution makes the ending of ¡°Hamlet¡± especially horrifying: nearly all the characters are dead, but nothing has been solved.

The play¡¯s exposition shows us that Hamlet is in the midst of three crises: his nation is under attack, his family is falling apart, and he feels deeply unhappy. The Ghost of the old king of Denmark appears on the castle battlements, and the soldiers who see it believe it must be a bad omen for the kingdom. They discuss the preparations being made against the threat from the Norwegian prince, Fortinbras.

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'Çܸ´'ÀÇ ÁٰŸ®¸¦ ¸ô°í °¡´Â °¥µîÀº °ÅÀÇ ÀüÀûÀ¸·Î ½É¸®Àû(internal)ÀÌ´Ù: ÇൿÇÒ ±Ù°Å°¡ ÃæºÐÈ÷ µÈ´Ù°í ±×°¡ ¹Ï´Â ¾î¶² °ÍÀ» ãÀ¸¸é¼­ ±×´Â ÀÚ±â ÀÚ½ÅÀÇ Àǽɰú ºÒÈ®½Ç¼º°ú ¾¾¸§ÇÑ´Ù. ±ØÀÇ »ç°ÇµéÀº ÀÌ ³»Àû °¥µîÀÇ ºÎ»ê¹°µéÀÌ´Ù. ClaudiusÀÇ ¹üÁË¿¡ ´ëÇÑ ´õ ¸¹Àº Áõ°Å¸¦ ¼öÁýÇÏ·Á´Â HamletÀÇ ½Ãµµ´Â HamletÀÇ ÀǽÉ(Claudius¿¡ ´ëÇÑ)¿¡ ´ëÇØ¼­ Claudius¸¦ ±äÀå½Ã۰í HamletÀÇ ³»Àû °¥µîÀÌ ½ÉÈ­µÊ¿¡ µû¶ó ±×´Â ÁÂÀý°¨¿¡¼­ Ãæµ¿ÀûÀ¸·Î ÇൿÇϱ⠽ÃÀÛÇÏ°í ¸¶Ä§³» Âø¿À·Î Polonius¸¦ »ìÇØÇÏ°Ô µÈ´Ù. HamletÀÇ °¥µîÀº °áÄÚ ÇØ°áµÇÁö ¾Ê´Â´Ù: HamletÀº °á±¹ ¹«¾ùÀ» ¹Ï¾î¾ß ÇÒÁö ¹«½¼ ÇൿÀ» ÃëÇØ¾ß ÇÒÁö¸¦ °áÁ¤ÇÒ ¼ö°¡ ¾ø´Ù. ÀÌ·± °á½ÉÀÇ ºÎÁ·Àº 'Çܸ´'ÀÇ °á¸»À» Ưº°È÷ ¹«¼·°Ô ÇÑ´Ù: °ÅÀÇ ¸ðµç Àι°µéÀÌ Á×°í ¾Æ¹«°Íµµ ÇØ°áµÇÁö ¾Ê´Â´Ù. ±ØÀÇ ¼³¸íÀº HamletÀÌ ¼¼ °¡Áö À§±â °¡¿îµ¥¿¡ Ã³ÇØ ÀÖ´Ù´Â °ÍÀ» º¸¿©ÁØ´Ù: ±×ÀÇ ³ª¶ó´Â °ø°ÝÀ» ¹Þ°í ÀÖ°í, ±×ÀÇ °¡Á·Àº ¶³¾îÁ® ³ª°¡°í, ±×¸®°í ±×´Â ¸Å¿ì ºÒÇàÇÔÀ» ´À³¤´Ù. µ§¸¶Å©ÀÇ ´ÄÀº ¿ÕÀÇ À¯·ÉÀÌ ¼ºÀÇ ³­°£¿¡ ³ªÅ¸³ª°í ±×°ÍÀ» º¸´Â ±ºÀεéÀº ±×°ÍÀº ¿Õ±¹¿¡ ´ëÇÑ ³ª»Û ¡Á¶ÀÓ¿¡ Ʋ¸²¾ø´Ù°í ¹Ï´Â´Ù. ±×µéÀº ³ë¸£¿þÀÌ ¿ÕÀÚ FortinbrasÀÇ À§Çù¿¡ ´ëÇ×ÇØ¼­ ÃëÇØÁö°í ÀÖ´Â Áغñ»óȲ¿¡ ´ëÇØ¼­ ³íÀǸ¦ ÇÑ´Ù.

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Áö³­ 1000³â°£ ¼¼°è¿¡¼­ °¡Àå À§´ëÇÑ ±ØÀÛ°¡·Î Æò°¡µÇ´Â William Shakespeare(1564-1616)´Â ¿µ±¹ÀÇ Stratford-upon-Avon¿¡¼­ ºÎÀ¯ÇÑ »óÀÎÀÇ ¾Æµé·Î ž¼­ ¸Å¿ì ÈǸ¢ÇÑ Àι®Çб³¿¡ ´Ù³æÀ¸³ª 14¼¼ ¶§¿¡ Ê«á§(°¡¼¼)°¡ ±â¿ï¾î Çо÷À» Áß´ÜÇÏ°Ô µÇ¾ú´Ù.

18¼¼ ¶§¿¡ 8³â ¿¬ÀåÀÚÀÎ Anne Hathaway¿Í °áÈ¥Çß´Ù. ±×´Â 1588³â¿¡ ·±´øÀ¸·Î ¿Í¼­ ¹è¿ì¿Í ±ØÀÛ°¡·Î¼­ ÀÏÇß´Ù. ±×´Â ´ç´ë¿¡ °¡Àå ¼º°øÀûÀÎ ±ØÀÛ°¡°¡ µÇ¾ú°í Èij⿡´Â °íÇâ¿¡¼­ ´ëºÎºÐÀÇ ½Ã°£À» º¸³»´Ù°¡ 1616³â 4¿ù 23ÀÏ¿¡ Á×¾ú´Ù. ÀÌ ³¯Àº ±×ÀÇ »ýÀϳ¯À̾ú´Ù.

'Hamlet'Àº 'Othello', 'King Lear', 'Macbeth'¿Í ÇÔ²² ShakespeareÀÇ °¡Àå À§´ëÇÑ ÞÌÓÞÝèм(»ç´ëºñ±Ø) ÁßÀÇ ÇϳªÀÌ´Ù. 'Hamlet'Àº Shakespeare м(±Ø) Áß¿¡¼­µµ °¡Àå ¸¹ÀÌ ÀÐÈ÷°í °¡Àå ¸¹ÀÌ °ø¿¬µÇ°í °¡Àå ¸¹ÀÌ ³íÀǵǴ ÀÛǰÀÌ´Ù. 'Hamlet'Àº ½Ã´ë¸¦ ÃÊ¿ùÇØ °ü°´¿¡°Ô Áñ°Å¿òÀ» ÁÖ°í ¹è¿ìµé¿¡°Ô´Â ¿­¸ÁÀÇ ÛÕæµ(¹è¿ª) ´ë»óÀÌ µÇ°í ÀÖÀ¸¸ç ±³¾çÀÎÀ̶ó¸é ¹Ýµå½Ã Àоî¾ß µÉ °íÀü ÁßÀÇ °íÀüÀÌ´Ù.(°è¼Ó)

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