Books &Arts
American poets
54. Serious engagement
Nov 20th 2008 From The Economist print edition
54-1-244
THE easy flow of letters between Robert Lowell and Elizabeth Bishop, two of America's greatest 20th-century poets, began in 1947, and continued for 30 years. It was a correspondence, from first to last, of an unusual intensity.
Although they were both New Englanders, their writerly temperaments were quite different. Bishop wrote and published her poetry slowly. She produced just three collections during her lifetime. She was sedulous, pernickety, quietly determinedshe would work on poems for years. Her lettersmodels of gentle, hesitant statementhave something of those same qualities of tentativeness, restraint and minute attention. Her observations of the natural world are acute and fresh, but also objective, reaching beyond herself. The sound of the ego is turned well down.
Lowell was much more prolific and more raucously in and of the world. His private life was tumultuous, his manic episodes legion. His observations of the world reflect his inner moods: charged, noisy, dramatic. The long-awaited 2003 edition of his collected poems runs to almost 1,000 pages. Bishop's collected poems is one-quarter of that length.
A. ¾îÈÖ
engagement Âü¿©, ¼¾à, ¾àÈ¥. correspondence Îßãá(±³½Å). intensity °·ÄÇÔ.
writerly ÀÛ°¡ÀûÀÎ. cf. ¸í»ç(writer)+ly¡æÇü¿ë»ç. temperament ±âÁú.
collection íÂù¡ó¢(ÀÛǰÁý). sedulous ²ö±â ÀÖ´Â, ±Ù¸éÇÑ, ÁöÄ¥ ÁÙ ¸ð¸£´Â.
pernickety ±î´Ù·Î¿î. determined ±»°Ô °á½ÉÇÑ, ´ÜÈ£ÇÑ. hesitant ÁÖÀúÇÏ´Â.
hesitant statement ÁÖÀúÇÏ¸é¼ ÇÏ´Â ¸».
tentativeness ¸Á¼³ÀÓ, ÀϽÃÀûÀÎ °Í, ½ÇÇè(½ÃÇè)ÀûÀÎ °Í. restraint ¾ïÁ¦, Á¶½É, ±¸¼Ó.
minute ¹Ì¼¼ÇÑ. acute ¿¹¸®ÇÑ, °Ý·ÄÇÑ. objective °´°üÀûÀÎ.
reaching beyond herself ÀÚ½ÅÀ» ÃÊ¿ùÇÏ¿©. turn down ¹°¸®Ä¡´Ù, °ÅÀýÇÏ´Ù.
prolific ÒýíÂ(´ÙÀÛ)ÀÇ, Òýß§(´Ù»ê)ÀÇ. raucously ¸ñÀÌ ½® ¼Ò¸®·Î, ±Í¿¡ °Å½½¸®°Ô.
in and of the world ¼¼»ó ¾È¿¡¼ ±×¸®°í ¼¼»ó¿¡ ´ëÇØ¼.
tumultuous ½Ã²ô·¯¿î, ¼Òµ¿À» ÀÏÀ¸Å°´Â. manic [Á¤½ÅÀÇÇÐ] ðâÜ»(Á¶º´)ÀÇ, ¹ÌÄ£.
legion Òýâ¦(´Ù¼ö), º¸º´±º´Ü.
charged °¨Á¤ÀÌ Ìäé(°Ý¾Ó)µÈ, ¿Á¤ÀûÀÎ, Óáï³(´ëÀü)ÇÑ. one-quarter 1/4.
B. ±¸¹®
- his manic episodes legion¡æhis manic episodes were legion.
[±×ÀÇ ±¤ÀûÀÎ ¿¡ÇǼҵå´Â ¹«¼öÇÏ¿´´Ù.]
54-2-245
They were never lovers, and although the much-married Lowell once considered proposing to Bishop, he never did. And yet the two admired each other more than they admired any other living poets and corresponded with an unusual seriousness of engagement. When Lowell wrote to Bishop he was, for once, not involved in an act of performance. When Bishop wrote to Lowell she knew that she was reading his poems more deeply, and with more responsible attention, than any other friend would ever dare to do. They knew no betterand no more fearlesscritics than each other.
Throughout his life, Lowell was a professional man of letters, who, as teacher and reviewer, stood at the centre of the literary world. Bishop, by contrast, often felt as if she were slightly lost, floating through a miasma of self-doubt. She moved around a lot. She spent 15 of her most productive years in Brazil and came to teaching late in her life. Socially tentative, she did not make waves in the world of poetry. Her reputation has grown, quietly, since her death in 1979. It was Lowell who was the roaring, self-lacerating, tragic king of the poetry jungle.
These letters are full of delightfully acute observations about literary personalities and tell us much about the art of poetry in Americahow poets think, behave and suffer. But the literary talk is constantly being interrupted by the smaller things of life and these wonderfully human documents are an appealing mix of the bookish and the everyday. Their turns of phrase are so savoursome they almost precipitate into poetry itself.
From beginning to end, the two poets needed each other. 'Please never stop writing me letters,' Bishop once wrote to Lowell. 'They always manage to make me feel like my higher self.'
A. ¾îÈÖ
for once Çѹø¸¸. admire ¼þ¹èÇÏ´Ù, °¨ÅºÇÏ´Ù.
act of performance ¿¬±ØÈ°µ¿. dare µÎ·Á¿öÇÏÁö ¾Ê°í ÇÏ´Ù. letters ¹®ÇÐ.
reviewer Æò·Ð°¡, ºñÆò°¡. by contrast ´ëÁ¶ÀûÀ¸·Î. slightly ÌîÚ°(°æ¹Ì)ÇϰÔ.
be lost ±æÀ» ÀϾî¹ö¸®´Ù. miasma [´ËÁö µûÀ§¿¡¼ ³ª¿À´Â]ԸѨ(µ¶±â).
tentative ¸Á¼³ÀÌ´Â. socially tentative »çȸÀûÀ¸·Î Àß ³ª¼Áö ¾Ê´Â.
roaring °íÇÔÁö¸£´Â, À¸¸£··°Å¸®´Â.
lacerate °¨Á¤À» »óÇÏ°Ô ÇÏ´Ù, °¥±â°¥±â Âõ´Ù. interrupt ¹æÇØÇÏ´Ù, Áß´ÜÇÏ´Ù.
appealing »ç¶÷À» ²ô´Â, È£¼Ò·ÂÀÌ ÀÖ´Â. the bookish ¹®ÇÐÀûÀÎ °Í, Ã¥¿¡¼¸¸ ¾ò´Â °Í.
the everyday ÀÏ»óÀûÀÎ °Í. cf. the+Çü¿ë»ç¡æÃß»ó¸í»ç.
phrase ¾î±¸, ¸»¾¾. savoursome ù¦Ú«(dz¹Ì)°¡ ÀÖ´Â, Àç¹ÌÀÖ´Â.
precipitate into °Å²Ù·Î ¶³¾î¶ß¸®´Ù, ¶Ù¾î µé´Ù.
B. ±¸¹®
- When Lowell wrote . . . an act of performance.
[LowellÀÌ Bishop¿¡°Ô ÆíÁö¸¦ ¾µ ¶§´Â ÇÑ ¹øµµ ¿¬±ØÀ» ÇÏÁö ¾Ê¾Ò´Ù.(¼ÖÁ÷ÇÏ¿´´Ù.]
ÇÑ´«¿¡ º¸´Â
º£½ºÆ® ±â»ç
- 1 ÇØ¼öºÎ 'ºÎ»ê ÀÎÀç'´Â ¾î¶»°Ô ¹ß±¼ÇØ¾ß Çϳª
- 2 ¹®Çå(ÙþúÌ)°ú ¼Ã¥(ßöóü)ÀÇ Â÷ÀÌ
- 3 ÀÌÀç¸í ´ëÅë·ÉÀº ÀÚ½ÅÀ» À§Çؼ¶óµµ °ÅºÎ±ÇÀ» Çà»çÇØ¾ß!
- 4 À±¼®¿°ú ±è¿ëÇö, Dumb and Dumber
- 5 'ùÛÏÐ ÙãáÔìÑ æêîî'À» Àаí
- 6 ÀÌÇýÈÆ »çÅ·Π°¡Àå ¿ì½À°Ô µÈ »ç¶÷Àº À嵿Çõ!
- 7 û¿Í´ë¸¦ ¿Å±â¸é Á¤±ÇÀÌ ¸ÁÇÏ°í ¼öµµ¸¦ ¿Å±â¸é ³ª¶ó°¡ ¸ÁÇÑ´Ù!
- 8 ºÒ¹ý°ú °ÅÁþ¸» °ø°³¼±µ¿ ¹ý´ë±³¼ö¸¦ ÀÚ¸£Áö ¾Ê´Â ±¹¹Î´ëÇÐ
- 9 ºÏÇÑ ±¹¹ÎÀÇ ´«°ú ±Í¸¦ ¸·´Â »ç¶÷µé
- 10 ÀÌÀç¸í ´ëÅë·ÉÀÇ ÇØº´´ë µ¶¸³ ÃßÁøÀº ½ÅÁßÇØ¾ß












