Doris Lessing's Battle Scars ¨ç

In what she claims is her final book, Doris Lessing makes peace with painful memories of her childhood
42. Doris Lessing's Battle Scars (TIME July 28, 2008)
In what she claims is her final book, Doris Lessing makes peace with painful memories of her childhood By WILLIAM LEE ADAMS

42-1-179

In 1920s Rhodesia, leopards and snakes roamed the bush. Yet for 6-year-old Doris Lessing, this inhospitable environment offered a welcome refuge from her parents: Alfred, a soldier whose leg had been shattered by shrapnel in World War I, and Emily, a wartime nurse who helped to amputate it. Crouched in a patch of brush, Lessing would cover her ears and shout, 'I won't listen,' in an effort to drown out her parents' incessant talk of tanks, howitzers and death. 'The trenches were as present to me as anything I actually saw around me,' Lessing recalls in her riveting new book Alfred and Emily. 'And here I still am, trying to get out from under that monstrous legacy, trying to get free.'
Lessing's book, an account of her childhood on the frontlines of her parents' horrific memories, is an unusual work in two parts. The first half, a novella, imagines the lives her parents could have lived in England had the war never occurred; the second half, a memoir, recounts how their lives actually unfolded in their mud-brick farmhouse in Rhodesia. Together, they form a painful meditation on family and war, one in which the distance between dreams and reality is measured with disappointment. Lessing's life, we discover, falls in the chasm between them.
'The book emerged on my inner agenda without my planning it,' says Lessing, sitting in the ramshackle North London home where she has lived for 25 years. In a career spanning six decades she has churned out nearly 50 books on an old-fashioned typewriter. But at 88, she insists that Alfred and Emily will be her last. Lessing says her energy has been sapped by ever-increasing burdens, such as taking care of her middle-aged diabetic son and dealing with the publicity she has faced since becoming the oldest recipient of the Nobel Prize for Literature last October. 'When you're young you doubtless think that you're going to sail into a lovely lake of quietude and peace,' she says. 'This is profoundly untrue.'

A. ¾îÈÖ
scar »óóÀÚ±¹. Rhodesia îñ ¿µ±¹½Ä¹ÎÁö(Çö Áü¹Ùºê¿þ°øÈ­±¹). leopard Ç¥¹ü.
roam µ¹¾Æ´Ù´Ï´Ù. inhospitable ¼Õ´ÔÁ¢´ë°¡ ³ª»Û, ºÒÄ£ÀýÇÑ, »ì±â¿¡ ºÎÀûÀýÇÑ.
refuge Çdz­Ã³. shatter »ê»êÀÌ ºÎ¼­Áö´Ù. shrapnel ״ߤ÷¥(À¯»êź).
amputate [ÆÈ, ´Ù¸® µîÀ»] Àý´ÜÇÏ´Ù. crouch Âޱ׸®´Ù, ¿õÅ©¸®´Ù.
patch Á¼Àº ¶¥, ¹ç, Á¶°¢. brush Á¤±Û, »ï¸²Áö´ë.
drown out ÂѾƳ»´Ù, µé¸®Áö ¾Ê°Ô ÇÏ´Ù. incessant ±×Ä¥ »õ ¾ø´Â, ÝÕÓ¨(ºÎ´Ü)ÇÑ.
howitzer ×´÷¥øß(À¯ÅºÆ÷)[°î»çÆ÷ÀÇ ÀÏÁ¾]. trench ÂüÈ£.
riveting [¸ø ¹ÚÈ÷µíÀÌ] ȲȦÄÉ ÇÏ´Â. monstrous ¼Ò¸§³¢Ä¡´Â, ±â±«ÇÑ, °Å´ëÇÑ.
legacy À¯¹°, ë¶ß§(À¯»ê). account À̾߱â. frontline ÃÖÀü¼±. horrific ¹«¼­¿î.
novella ´ÜÆí¼Ò¼³, á³ù¡(¼Òǰ). memoir ȸ°í·Ï, ãùÖâ(½Ç·Ï). recount ÀÚ¼¼È÷ ¸»ÇÏ´Ù.
unfold ÆîÄ¡´Ù, µå·¯³»´Ù, ¹àÈ÷´Ù. mud-brick È뺮µ¹. meditation Ù¢ßÌ(¸í»ó).
.measure ÃøÁ¤ÇÏ´Ù. disappointment ½Ç¸Á. chasm [Áö¸é. ¾Ï¼® µûÀ§ÀÇ] °¥¶óÁø Æ´, Çù°î.
agenda ºñ¸Á·Ï, ÀÇÁ¦. ramshackle »ß°Æ°Å¸®´Â, ÈçµéÈçµéÇÏ´Â. span ...¿¡ ¹ÌÄ¡´Ù, °ÉÄ¡´Ù.
churn ...À» ÈÖÁ£´Ù. sap ¾àÈ­½ÃŰ´Ù, ±â·ÂÀ» »©¾Ñ´Ù, â§äû(¼ö¾×). burden Áü.
diabetic ´ç´¢º´¿¡ °É¸°. publicity ÆòÆÇ, °ø°³. recipient ¼ö»óÀÚ, ¼ö·ÉÀÎ.
quietude øÁè±(Æò¿Â), ¾È½Ä. profoundly ¿ÏÀüÈ÷, ±íÀÌ.

B. ±¸¹®
- The trenches were as present . . . saw around me.
[±× ÂüÈ£µé(¾Æ¹öÁö°¡ ¸»ÇÏ´Â ÂüÈ£)Àº ³»°¡ ÁÖº¯¿¡¼­ ½ÇÁ¦·Î º» ¾î¶°ÇÑ ÂüÈ£ ¸øÁö ¾Ê°Ô ³ª¿¡°Ô »ý»ýÇÏ°Ô Á¸ÀçÇÏ´Â °ÍÀ̾ú´Ù]
-the lives her parents could have . . . war never occurred.
cf. had the war never occurred¡æif the war had never occurred
cf. °¡Á¤¹ý°ú°Å¿Ï·á: °ú°Å»ç½ÇÀÇ ¹Ý´ë¸¦ °¡Á¤
¡æIf+S+had+pp..., S+°ú°ÅÁ¶µ¿»ç+have+pp.
[ÀüÀïÀÌ °áÄÚ ÀϾÁö ¾Ê¾Ò´õ¶ó¸é ±×µé(ºÎ¸ð)ÀÌ ¿µ±¹¿¡¼­ »ì ¼ö ÀÖ¾úÀ» »î]
- a career spanning six decades¡æa career which spans six decades.
[60³â¿¡ ´ÞÇÏ´Â °æ·Â]

42-2-180
Frail and weary she may be, but Lessing still writes with the deftness and nuance that characterized her 1962 novel The Golden Notebook, one of the past century's most influential feminist works. In the memoir, she describes her father being lowered into a mine shaft, 'his wooden leg sticking out and banging against its rocky sides,' and reminisces about him hobbling over tree stumps and up hills to keep watch as she explored the veldt. In Alfred's imagined life, she makes him the successful farmer he wanted to be, and rids him of the diabetes that rendered him an invalid and eventually killed him. For good measure, says Lessing, she gave him 'a nice, sexy wife, which he would have liked.'
That sympathetic portrayal, which deletes Emily from his life, gives way to an unflattering portrait of her mother, whose 'rough, unkind' hands Lessing loathed as a child. When the family arrived on the Rhodesian farm as part of a scheme to resettle white servicemen in the British colony, Emily anticipated getting rich off sales of maize and throwing fetes with fellow settlers, only to learn that they were 'solidly working-class Scots' with whom she had little in common. Haunted by flashbacks of soldiers dying without morphine, she had a nervous breakdown: 'She called her children to her and said, 'Poor Mummy, poor, poor Mummy.' I was aged six and I hated her for it. This woman whimpering in her bed saying, Pity me, pity me.'

A. ¾îÈÖ
frail ¾àÇÑ, Çã¾àÇÑ. weary ÁöÄ£. deftness ¼Ø¾¾ ÁÁÀ½, ±³¹¦ÇÔ.
characterize Ư»öÀ» ÀÌ·ç´Ù. influential ¿µÇâÀ» ¹ÌÄ¡´Â.
feminist ¿©±ÇÁÖÀÇÀÚ, ¿©¼º ÇØ¹æ·ÐÀÚ. works ÀÛǰ. mine ±¤»ê. shaft âµËÕ(¼ö°»).
stick out ³»¹Ð´Ù. bang ¼¼°Ô Ä¡´Ù. reminisce Ãß¾ïÇÏ´Ù. hobble Àý¸§°Å¸®´Ù.
stump ±×·çÅͱâ, º£¾î³½ ³ª¹«»Ñ¸®. veldt [³²¾ÆÇÁ¸®Ä«ÀÇ] ÃÊ¿ø. rid of Á¦°ÅÇÏ´Ù.
diabetes ´ç´¢º´. render ...ÀÌ µÇ°Ô ÇÏ´Ù. invalid ȯÀÚ. eventually °á±¹¿¡´Â.
for good measure ´ýÀ¸·Î. sympathetic µ¿Á¤ÀûÀÎ. portrayal ÙÚÞÐ(¹¦»ç), õ«ßÀ(ÃÊ»ó).
delete_»èÁ¦ÇÏ´Ù, ¸»»ìÇÏ´Ù. give way to ¾çº¸ÇÏ´Ù. unflattering ¾ÆºÎÇÏÁö ¾Ê´Â.
hands Áö¹è, °ü¸®. loathe ¸÷½Ã ½È¾îÇÏ´Ù. resettle ´Ù½Ã ïÒñ¬(Á¤ÁÖ)½ÃŰ´Ù.
serviceman ±ºÀÎ. colony ½Ä¹ÎÁö. anticipate ¿¹»óÇÏ´Ù.
off sales of maize ¿Á¼ö¼ö¸¦ ÆÇ¸ÅÇÏ¿©. fete ÃàÁ¦.
throw fetes ÁïÈïÀûÀ¸·Î ÃàÁ¦¸¦ ¿­´Ù. solidly ¿ÏÀüÈ÷. working-class ³ëµ¿ÀÚ °è±Þ.
haunt »ç·ÎÀâ´Ù, ±«·ÓÈ÷´Ù.
flashback Ç÷¡½Ã¹é[ȸ»ó µûÀ§¸¦ À§ÇØ Àå¸éÀÌ µÇµ¹¾Æ°¡´Â ÀÏ].
nervous breakdown ½Å°æ¼è¾à. whimper Èå´À²¸ ¿ï´Ù. pity ºÒ½ÖÈ÷ ¿©±â´Ù.

B. ±¸¹®
- In Alfred's imagined life
[ ¾ËÇÁ·¹µå°¡ »ó»óÇÑ »î(¼Ò¼³ ¼ÓÀÇ ¾ËÇÁ·¹µåÀÇ »î)].
- only to learn¡æbut she learned
- Haunted¡æAs she had been haunted¡æHaving_been haunted
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