19-15-86
Just as Nekhlyudov's primal experience is a characteristic Tolstoyan guilt over some sin against the one he loves and who loves him, so Maslova's primal experience is a characteristic Tolstoyan sense of abandonment by the one she loves and who loves her. This coupling of failure and abandonment is central to Tolstoy's own psychological experience and may be traced to his own orphanhood (his mother died when he was 2), for orphans characteristically feel that some failing of theirs is responsible for their being abandoned.** Here this complex of sin and abandonment is creatively split between hero and heroine and motivates the corrections and clarifications that refine Nekhlyudov's process of resurrection. Each time Nekhlyudov visits Maslova in prison he misreads her actions and words because of his self-centered failure to grasp her psychology. And Maslova, enraged by the memories of the abandonment his presence recalls, defensively sees through the surface of his intentions to marry her. In their second 'interview' at a moment critical for the whole novel she shouts out an interpretation of his plan to redeem his sin: 'I am a convict and you are a prince, and you've no business here...You want to save yourself through me...You've got pleasure out of me in this life, and want to save yourself through me in the life to come. You are disgusting to me-your spectacles and the whole of your dirty fat mug. Go, go!' Although Nekhlyudov never fully frees himself from his narcissistic quest for atonement, from this moment on a major shift does occur, as he begins to see Maslova less from the point of view of his sin than of her pain.

A. 어휘
primal 중요한, 최초의. coupling 연결, 결합. trace 발자국을 더듬어 가다, 추적하다.
characteristically 특징적으로. split-split-split 쪼개지다. motivate 유발하다, 자극하다.
refine 精鍊(정련)하다, 순화하다. misread 잘 못 읽다, 잘 못 해석하다.
grasp 파악하다. enrage 화나게 하다. presence 함께 있음, 面前(면전), 출석.
defensively 방어적으로. see through 간파하다. a moment critical 결정적인 순간.
shout out 소리를 질러 입다물게 하다. interpretation 해석, 해설.
convict 流刑囚(유형수). prince 公爵(공작). in the life to come 來世(내세)에.
disgusting 역겨운, 욕지기가 나오는. spectacles 안경. mug 얼굴.
narcissistic 자기 도취적인. quest for atonement 贖罪(속죄)에 대한 추구.
from this moment on 이 순간부터 계속해서. shift 변화.

B. 구문
- sense of abandonment . . . who loves her.
[그녀가 사랑하고 그녀를 사랑한 사람에게 버림받았다는 느낌.]
- some failings of theirs . . . for their being abandoned.
cf. [this/that/any/some/a/no]+소유격+명사
→[this/that/any/some/a/no]+명사+of+소유대명사[mine/ours/his/hers/theirs /Tom's...]
ex. my book→ a book of mine, their failings→no failings of theirs.
[그들의 어떤 실패는 그들이 버림받았기 때문이다.]
- And Maslova, enraged by . . . his intentions to marry her.
cf. enraged→as she is enraged
[Maslova는 그의 존재가 상기시키는 버림받은 것의 추억 때문에 마음이 격동되면서 그녀와 결혼하려는 그의 의도의 이면을 방어적으로 꿰뚫어 본다.]

19-16-87
The significance of this moment is marked by its intertextual relationship with the Prolog, an important work of medieval Russian literature consisting of saints' lives and teachings arranged according to the church calendar. In a letter written in 1892 Tolstoy recalled from the Prolog a story of a monk who takes in a wounded beggar and cares for him. The beggar gets only more and more annoyed until one day he bursts out in anger: 'I cannot stand your face, leave me. I hate you because I see that what you do you are not doing for me, that you do not love me, but just want to save yourself through me. Take me back to the street, it was easier for me there than here accepting your services'. The parallel with this central passage in the novel is striking, and Tolstoy's interpretation of the Prolog story makes his intention clear, for he reads it as a parable of 'our' relationship to the 'people' through whom 'we want to save ourselves' and whom 'we do not simply love'.

A. 어휘
intertextual 섞어서 짜기, 交織(교직). medieval 中世(중세)의.
prolog=prologue 序詞(서사), 序幕(서막), 序詩(서시). work 작품. literature 문학.
consist of ...로 구성되다. saints' lives 성자들의 傳記(전기). teachings 가르침.
arrange 배열하다. according to ...에 따라. monk 修道士(수도사).
annoy 짜증나게 하다, 난처하게 하다. cf. get/become/grow+pp.→동작중심 수동태.
get annoyed 짜증나다. burst-burst-burst 폭발하다. parallel 평행, 類似(유사).
intention 의도. parable 寓話(우화).