Leo Tolstoy's Resurrection ¨è

Tolstoy's novel is also unique in that it is surrounded by a peculiar set of frames.
19-3-74
What makes 'Resurrection' unique is that it combines this anatomy of society with a story of moral awakening and spiritual growth toward freedom from the secular ideals and toward the possibility of a new life. To the hero's journey through the different social layers and institutions of contemporary Russia, Tolstoy adds a sequence of moments of inner assessment and self-recollection which in fact comprises the process of 'resurrection'. The hero is often shown literally at the moment of awakening from sleep to some new awareness or through a process of remembrance coming to some new insight while on a journey home. With this double focus, both outward and inward, Tolstoy is able to show his hero in a process of examining his relationship to government institutions, the issues of land-ownership, the problems of the peasantry, and attitudes to sexuality and family life. Through these repeated examinations Nekhlyudov discovers his own moral feelings in these realms, which clears the path for his moral 'resurrection'
In the blending of the structures of anatomy and awakening, Tolstoy's last novel resembles most Dostoevsky's first major fiction, 'Memoirs From the House of the Dead'(1862), which combines an anatomy of prison life with the story of the narrator's awakening from moral blindness and isolation to spiritual insight and love. In Tolstoy's novel we are first introduced to Russian life in prison, which then functions as the major metaphor for all Russian life. Both works tell the story of the hero's discovery of confinement and the quest for freedom.**

A. ¾îÈÖ
unique µ¶Æ¯ÇÑ. anatomy ºÐ¼®, ú°ÜøùÊ(ÇØºÎÇÐ). moral awakening µµ´öÀû °¢¼º.
add...to º¸Å´Ù, ÷°¡ÇÏ´Ù. layer öµ(Ãþ). social layers »çȸÀû °èÃþ.
contemporary Russia Ó×ÓÛ(´ç´ë)ÀÇ ·¯½Ã¾Æ. sequence ¿¬¼Ó, °è¼Ó.
a sequence of moments ìéÖ§(ÀÏ·Ã)ÀÇ ¼ø°£µé. assessment Æò°¡.
recollection üÞßÌ(ȸ»ó). comprise Æ÷ÇÔÇÏ´Ù. process of resurrection ºÎȰÀÇ °úÁ¤.
literally ½ÇÁ¦·Î, ¹®ÀÚ±×´ë·Î. awareness í»ÊÆ(ÀÚ°¢). insight ìããÛ(ÀνÄ). focus ÃÊÁ¡.
a process of examining Á¡°Ë°úÁ¤. the issues of land-ownership ÅäÁö¼ÒÀ¯±Ç¹®Á¦.
peasantry (ÁýÇÕÀû) á³íÂìÑ(¼ÒÀÛÀÎ), ¼Ò³ó°è±Þ. examinations Á¡°ËȰµ¿.
Nekhlyudov 'ºÎȰ¡°ÀÇ ³²ÀÚÁÖÀΰø. realm çÐæ´(¿µ¿ª), ºÐ¾ß, ¿Õ±¹, ±¹Åä.
clears the path ±æÀ» ¿­¾îÁÖ´Ù. blending È¥ÇÕ. resemble ´à´Ù. memoirs ȸ°í·Ï.
isolation °í¸³. introduce ¼Ò°³ÇÏ´Ù. function ±â´ÉÀ» ÇÏ´Ù, ÀÛ¿ëÇÏ´Ù.
metaphor ëßêç(ÀºÀ¯). work ÀÛǰ(¼Ò¼³). confinement °¨±Ý, Á¦ÇÑ.
quest êÀïÖ(¿øÁ¤), Ž»ç, ޱ¸.

B. ±¸¹®
-The hero is often shown. . . while on a journey home.
[ÁÖÀΰøÀº Á¾Á¾ ½ÇÁ¦·Î ÀáÀÚ´Â »óÅ¿¡¼­ »õ·Î¿î ±ú´ÞÀ½À¸·Î ±ú¾î³ª´Â ¼ø°£¿¡ Àְųª ÁýÀ¸·Î µ¹¾Æ¿À´Â Ô³ñé(µµÁß)¿¡ »õ·Î¿î ÅëÂûÀ» ÇϰԵǴ Ãß¾ïÀÇ °úÁ¤¿¡ ÀÖ´Â °ÍÀÌ º¸ÀδÙ.]
-the narrator's awakening. . . insight and love.
cf. ¸í»ç ¶Ç´Â µ¿¸í»çÀÇ Àǹ̻óÀÇ ÁÖ¾î¡æ¼ÒÀ¯°Ý
ex. the narrator awakens¡æthe narrator's awakening.
the hero discovers confinement¡æthe hero's discovery of confinement.
[ ³ª·¹ÀÌÅÍ´Â µµ´öÀû ¹«Áö¿Í °í¸³¿¡¼­ Á¤½ÅÀû ÅëÂû°ú »ç¶ûÀ¸·Î ±ú¾î³­´Ù.]

19-4-75
Tolstoy's novel is also unique in that it is surrounded by a peculiar set of frames. It opens with a picture of burgeoning spring set in contrast to our disfigurement of nature and misuse of each other:

The sun shone warm, the air was balmy, the grass, where it did not get scraped away, revived and sprang up everywhere: between the paving stones as well as on the narrow strips of lawn on the boulevards. The birches, the poplars, and the wild cherry trees were unfolding their gummy and fragrant leaves, the bursting buds were swelling on the lime trees; crows, sparrows, and pigeons, filled with the joy of spring, were getting their nests ready; the flies were buzzing along the walls warmed by the sunshine. All were glad: the plants, the birds, and the insects, and the children. But men, grown-up men and women, did not leave off cheating and tormenting themselves and each other. It was not this spring morning men thought sacred and worthy of consideration, not the beauty of God's world, given for a joy to all creatures-- this beauty which inclines the heart to peace, to harmony, and to love-- but only their own devices for enslaving one another.

A. ¾îÈÖ
in that ...¶ó´Â Á¡¿¡¼­(=because). surround µÑ·¯½Î´Ù. peculiar Ưº°ÇÑ, ±â¹¦ÇÑ.
frame ±¸Á¶, »À´ë, Ʋ. burgeon ½Ï Æ®´Ù. disfigurement ÇüÅÂÀÇ áßß¿(¼Õ»ó).
balmy »óÄèÇÑ, ¿ÂÈ­ÇÑ. scrape ±Ü¾î³»´Ù, ¹Ú¹Ú ¹®Áú·¯´ë´Ù. revive ¼Ò»ýÇÏ´Ù.
spring-sprang-sprung ÀÚ¶ó´Ù, ½ÏÀÌ ³ª´Ù, Æ¢¾î ¿À¸£´Ù. strip ±æ°í °¡´À´Ù¶õ Á¶°¢.
boulevard °¡·Î¼ö ±æ. birch ÀÚÀÛ³ª¹«. unfold ÆîÄ¡´Ù. gummy ²öÀû²öÀûÇÑ.
fragrant Çâ±â·Î¿î. burst-burst-burst ÷òæñ(ÆÄ¿­)ÇÏ´Ù, Æø¹ßÇÏ´Ù. bud ½Ï, ²ÉºÀ¿À¸®.
swell-swelled-swelled or swollen ÆØÃ¢ÇÏ´Ù, º¹¹ÞÄ¡´Ù. crow ±î¸¶±Í. sparrow Âü»õ.
pigeon ºñµÑ±â. fly ÆÄ¸®. insect °ïÃæ. leave off ...À» ¹þ´Ù, ¹ö¸®´Ù. cheat ¼ÓÀÌ´Ù.
torment ±«·ÓÈ÷´Ù, °í¹®ÇÏ´Ù. sacred ½Å¼ºÇÑ. worthy of ...ÇÒ¸¸ÇÑ °¡Ä¡°¡ ÀÖ´Â.
consideration °í·Á. creature âÁ¶¹°, »ý¹°. incline ¸¶À½À» ±â¿ï°Ô ÇÏ´Ù.
device ÀåÄ¡, °í¾È¹°, °èȹ.

B. ±¸¹®
-spring set¡æ spring which is set.
-It was not this spring morning. . . given for a joy to all creatures--
cf. this spring morning men thought sacred. . .
¡æthis spring morning that men thought sacred. . .
cf. given for a joy¡æwhich is given for a joy.
[ »ç¶÷µéÀÌ ½Å¼ºÇÏ°í ¼÷°íÇÒ °¡Ä¡°¡ ÀÖ´Ù°í »ý°¢Çϰí ÀÖ´Â °ÍÀº ÀÌ º½³¯ ¾ÆÄ§ÀÌ ¾Æ´Ï¸ç ¸ðµç »ý¸íüµé¿¡°Ô Áñ±âµµ·Ï ÁÖ¾îÁø Çϳª´ÔÀÌ ¸¸µå½Å ÀÌ ¼¼°èÀÇ ¾Æ¸§´Ù¿ò--»ç¶÷ÀÇ ¸¶À½À» ÆòÈ­¿Í È­¸ñ°ú »ç¶ûÀ¸·Î ±â¿ï°Ô ÇÏ´Â ÀÌ ¾Æ¸§´Ù¿ò--µµ ¾Æ´Ï°í ¼­·Î ¼­·Î¸¦ ³ë¿¹·Î ¸¸µå´Â Àΰ£µé ÀÚ½ÅÀÇ Á¦µµ(ÀåÄ¡)ÀÌ´Ù.]
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